Monday, February 22, 2010
Saturday, February 20, 2010
Friday, February 19, 2010
eugenio espino barros
one of my mayor photographic influences, eugenio espino barros, was a prolific professional photographer that invented his own camera and camera brand: the Nova. here are some of the images that made me think of the mexican landscape in a completely different way. also, a statement made by espino barros for the prologue of the book Mexico en 1910.
Posted by
alejandro cartagena
Labels:
eugenio espino barros
Thursday, February 18, 2010
cartagena in suburbia mexicana
after 3 years of taking pictures in the suburbs of monterrey`s metro area, finally someone noticed my work and decided to name a street after me... just kidding! this is a suburb where all streets have names of Spanish cities. it felt good to find this though!!
Posted by
alejandro cartagena
Labels:
alejandro cartagena
Monday, February 15, 2010
Wednesday, February 10, 2010
Saturday, February 6, 2010
weekend favorite: beth dow
i have been a fan of beth´s work since i saw it through critical mass some years back. her images are intense, beautiful and subtle. her combination of composition and theme go hand in hand creating an aesthetic commentary on built "nature". i especially like the garden and field work series. she also has blog called inderect objects.
Posted by
alejandro cartagena
Labels:
beth dow
Wednesday, February 3, 2010
Monday, February 1, 2010
on bill owens suburbia
If Suburbia renders the suburbs as cultural vacuums, contemporary investigations depict them as far more sinister. What used to be called suburban is today increasingly and pejoratively termed "sprawl." Indeed, the opening chapter of Suburban Nation: The rise of sprawl and the decline of the American dream details the history and primary components of sprawl. Seen as unchecked growth and development and understood in opposition to the traditional neighborhood, sprawl is characterized by authors Andres Duany, Elizabeth Platter-Zyberk and Jeff Speck as a conglomeration of single-family housing gated subdivisions segregated by gradations of housing price; shopping centers, office and business parks, and civic centers that are surrounded by large parking lots and inaccessible to pedestrians; and roadways that serve to increase traffic load... complete article here via amercan suburb x
Posted by
alejandro cartagena
Labels:
bill owens,
suburbia
aperture prize finalist
The photographs in Lost Rivers by Alejandro Cartagena (b. 1977), which are part of a larger body of work entitled Suburbia Mexicana: Cause and Effect, interrogate the interdependence of humans and landscape in the face of urban expansion. Although artists and activists alike have placed intense focus on the negative impact of urban sprawl since the 1960s, Cartagena’s work is unique in its preoccupation with the subtler effects of suburban expansion, largely overlooked but indicative of significant, irrevocable change within a local ecosystem... JB (cont. reading at aperture)
Posted by
alejandro cartagena
Labels:
aperture prize
Subscribe to:
Posts (Atom)